Brooks & Dunn Neon Circus Tour at Target Center
April 12, 2002

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This year, the Neon Circus has been expanded to five bands -- one more than in 2001. The smooth-running evening seemed overlong -- especially if you arrived early to ride the mechanical bull or watch the rope tricks or the contortionist (he passed his body through the hole in a stringless tennis racket and folded himself into a small box). Gary Allan would have been better served being first on the bill rather than in the middle. His California honky-tonk music has an attractive edge but was too low-key in a big arena and too laid-back sandwiched between the rambunctious Trick Pony and the unstoppable Dwight Yoakam.

Yoakam isn't as rowdy as Toby Keith, who was on the Neon Circus last year, but just as big a crowd pleaser. His giant stage backdrop declared "Dwight Yoakam's Bakersfield Biscuits Hour … More or Less," and, for 57 minutes, he proved that he's rock 'n' roll sexy and honky-tonk happy. He pointed out that he's been on the country scene for 18 years. "That makes us the oldest artist on the bill," he said. "I don't think my management or record company thought I'd live long enough to be the oldest artist on any bill.''

With his hiccupy voice, sexy shimmying and powder-blue fringe on his western jacket, Yoakam seemed like a timeless classic. His excellent band was in the groove, and he promised to have the folks "wiggle" in their seats to his Bakersfield beat. But his new, rollicking rockabilly single about "time to set me free" and the old favorites "Fast as You" and "Crazy Little Thing Called Love" had the fans dancing on their feet. He had his way with sad songs, too, including the lonely "A Thousand Miles From Nowhere" and "I Sang Dixie."

Yoakam's performance reminded revelers that after all is said and done, despite all the flash and freaks, Brooks & Dunn's Neon Circus & Wild West Show really owes more to the Grand Ole Opry than to Barnum & Bailey.

Brooks & Dunn showed their stripes on their Steers material, which occupied a good portion of their 80-minute set. Dunn, who's usually the laid-back half of the duo, got animated during "Ain't Nothing 'Bout You." Brooks, the high-energy half, whose solo voice gets stronger each year, did a nice turn on "You're Gonna Miss Me When I'm Gone," during which photos of the late Dale Evans, Dale Earnhardt and Waylon Jennings flashed across the big screen to big cheers. When Brooks soloed on "Deny, Deny, Deny" from Stripes, Dunn was backstage, apparently partying at a disco if the audience believed what it was seeing on the giant screens while Kix was trying to sing.

As has often been the case in concert, there wasn't much obvious camaraderie between Brooks & Dunn. When they sat on stools for an acoustic number together, Kix looked at Ronnie for a bit but that was pretty much it. They occasionally stood next to one another, such as during "Honky Tonk Truth," but the truth is they could have been giving each other the cold shoulder. No high-fives for these longtime partners; that kind of teamwork was left to Trick Pony.

Per usual, Brooks & Dunn's stage was decorated in new variations of their steer-head logo. The silver industrial risers, on which the band members played, were illuminated from within in all kinds of patterns, including arrows and diamonds. Often times, the lighting scheme was red, white and blue. By contrast, Brooks was dressed less colorfully than usual, wearing an off-the-store-rack blue-and-white plaid western shirt, blue jeans and black cowboy hat, while Dunn was in his familiar black leather jeans and black shirt with flowing shirttails.

On five video screens surrounding the stage, images of Brooks & Dunn were shown, often in a split-screen setup (Kix on one side, Ronnie on the other -- or a clip from one of their videos on one side, with live footage on the other). Images changed quickly, and the cameramen favored zoom-lens action, helping visually to increase the energy of the performance.

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Brooks & Dunn Neon Circus Tour at Target CenterApril 12, 2002

Brooks & Dunn Neon Circus Tour at Target Center
April 12, 2002